You’ve probably seen that AI-generated poster of Malayalam movie Thudarum doing the rounds—Mohanlal and Shobhana, looking like they’ve stepped out of a dream. But the
Read MoreThere’s something hauntingly poetic about Njan Gandharvan being Padmarajan’s final film. Known for crafting some of the most intimate and beautifully flawed love stories in
Read MoreViolence in movies—it’s everywhere. And with films like Marco making waves for their intense action sequences, it’s worth taking a step back and looking at
Read MoreRemakes often walk a fine line between paying homage to the original and adapting to a new cultural landscape. Mrs, directed by Arati Kadav, is
Read MoreFilm festivals are more than just screenings; they are cultural exchanges, platforms for new voices, and celebrations of storytelling in its purest form. They bring
Read MoreIndian cinema isn’t just about song-and-dance extravaganzas or melodramatic dialogues—it’s a century-old industry built on innovation, risk-taking, and a relentless drive to entertain. Every era
Read MoreI’ve always been skeptical of movies about women written by men. More often than not, they lack a real understanding of a woman’s perspective. But
Read MoreOne of the reasons for Bollywood’s current slump is its reliance on PR, and a new extension of these PR efforts appears to be Indian
Read MoreWhat makes a villain truly unforgettable? Is it their cunning mind, their menacing presence, or their ability to make us despise and admire them at
Read MoreIndian cinema seems to be getting bolder, rawer, and unapologetically intense. With films like Animal, Kill, and Marco becoming box office successes I can’t help
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